Buch, Englisch, Band 149, 415 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 844 g
Reihe: Cross/Cultures
The Worldly Scholar
Buch, Englisch, Band 149, 415 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 844 g
Reihe: Cross/Cultures
ISBN: 978-90-420-3509-6
Verlag: Brill | Rodopi
Fachgebiete
Weitere Infos & Material
Acknowledgements
Introduction: A Memory Trip. Partly in Tandem, Partly Quadrilogical
Conspectus and Comparison
Erhard Reckwitz: Literature as a Rule-Breaking Activity
Sven Strasen and Peter Wenzel: Construction of Identities, Polar Opposites, and Cultural Models: The Binary Approach to Cultural Interaction
Gerhard Stilz: What Happens in the ‘Contact Zone’?
Ganesh Devy: Endangered Languages and Dispossessed Communities
Norbert H. Platz: Ecocriticism, Environmental Ethics, and a New Ecological Culture
Unsettled Settlers and Others
Kristjana Gunnars: Extreme Liminality: The Linked Stories of Édouard, Juliette, and Lena in Mavis Gallant’s Overhead in a Balloon
Peter O. Stummer: Move the Earth with One’s Dramatic Shovel? Some Observations on Recent Plays in Canada and Beyond
Terry Goldie: Fanciful Indigeneity
Martin Kuester: Between European Past and Canadian Present: Lesbian Mennonite Writing and Collective Memory
David Callahan: Entropy and the Totally Buried Home in Jane Urquhart’s A Map of Glass
Devindra Kohli: “Under a pillar of rain/thinking goodbye”: Remembering Kamala Das
Béatrice Bijon: ‘Bubbles into the Bottle’ of Postcolonialism: Ritornellos and Screen-Memories in Arundhati Roy’s The God of Small Things
Russell McDougall: The Materialization and Transformation of Xavier Herbert: A Body of Work Committed to Australia
Dolores Herrero: The Phantom and Transgenerational Trauma in Elizabeth Jolley’s The Well
Helga Ramsey–Kurz: Due Preparations for Paradise: or, The Plague Now According to Hany Abu-Assad and Janette Turner Hospital
Marc Delrez: “Grace of the Crocodiles”: Towards Deterritorialization of Culture in Robert Drewe’s Grace
Jaroslav Kušnír: Lives of Artists, Identities of Countries: Dependence, Displacement, Identity, and Australia in Peter Carey’s Theft
Marc Maufort: Positioning Alterity: Multi-Ethnic Identities in Contemporary New Zealand Drama
Peter H. Marsden: Ut pictura poiesis: Paintings and Painters in the Poetry of Peter Bland
Home Territory
Bénédicte Ledent: A Play of Significance: Roy Williams’s Days of Significance and the Question of Labels
Carla Sassi: Postcolonializing Glasgow’s Amnesia: Alasdair Gray’s Lanark as a Palimpsest of Scottish Imperial History
Gavin Hopps: A Foreigner at Home: Morrissey and the Art of Embarrassment
First Love
David Midgley: Zweig’s Englishmen
Deborah Vietor–Engländer: “Mr Davis’s Monument, or Dear Mr Davis, what shall I do?”
Ian Wallace: The Enigma of Hitler: Counterfactual Perspectives
What It’s All About
Dennis Haskell: A Tale of Two Cities
Geoff Goodfellow: Onto the Spin Cycle
Michael Sharkey: The Day Collector: An Ode. My Classic Bent: Scene From a Life
Gordon Collier: Canada Quartet (for Geoff). Historia canis. In motionless air
Anne Brewster: Travelogue
Andrew Taylor: Karri forest. Maxi, goodbye
Pia Thielmann: The Way to Agra; or Nature’s Pain Everywhere
Kirpal Singh: from this side of memory
Notes on Contributors