Buch, Englisch, 306 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 596 g
Reihe: Studies in German history
Photography and Twentieth-Century German History
Buch, Englisch, 306 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 596 g
Reihe: Studies in German history
ISBN: 978-1-78533-728-4
Verlag: Berghahn Books
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Fotografie Fotografie: Geschichte und Sammlungen
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
Weitere Infos & Material
List of Illustrations
Acknowledgements
Introduction: Photography as an Ethics of Seeing
Jennifer Evans
Chapter 1. Thoughts on Photography and the Practice of History
Elizabeth Edwards
Chapter 2. Seeing the ‘Savage’ and the Suspension of Time: Photography, War and Concentration Camps in South West Africa, 1904-1908
Claudia Siebrecht
Chapter 3. The “Face of War” in Weimar Visual Culture
Annelie Ramsbrock
Chapter 4. Documenting Heimkehr: Photography, Displacement and “Homecoming” in the Nazi Resettlement of Ethnic Germans, 1939-1940
Elizabeth Harvey
Chapter 5. Visible Trophies of War: German Occupiers’ Photographic Perceptions of France, 1940-44
Julia Torrie
Chapter 6. Gazing at Ruins: German Defeat as Visual Experience
Stefan-Ludwig Hoffmann
Chapter 7. Edmund Kesting’s Polyphonic Portraits and the Abstract Face of the Socialist Self in East Germany
Sarah E. James
Chapter 8. Seeing Subjectivity: Erotic Photography and the Optics of Desire
Jennifer Evans
Chapter 9. Photographing Reurbanization in West Berlin, 1977-84
Anna Ross
Chapter 10. The Diversification of East Germany’s Visual Culture
Candice M. Hamelin
Chapter 11. The Intimacy of Revolution: 1989 in Pictures
Paul Betts
Epilogue: Hope Flies, Death Dances: Moving Toward an Ethics of Seeing
Julia Adeney Thomas
Index