Buch, Englisch, 296 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
Buch, Englisch, 296 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
ISBN: 978-0-299-34410-8
Verlag: University of Wisconsin Press
While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending these images requires the viewer to place oneself in the very positions of the perpetrator who took the images. When we engage with atrocity photographs, do we risk replicating the original violence? In this tightly organized book, scholars from Holocaust studies, modern European history, Jewish studies, visual studies, and the history of photography examine the images of the Liepaja atrocity, giving historical, contextual, political, and moral depth to the act of looking and interpreting.
With a foreword by Edward Anders, who narrowly escaped the December shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to powerful debates in the emerging field of visual history, including the challenges and responsibilities of teaching about atrocity.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte Deutsche Geschichte: Holocaust
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
- Geisteswissenschaften Kunst Fotografie
Weitere Infos & Material
List of Illustrations
Acknowledgments
Foreword by Edward Anders
Introduction: Twelve Photographs
Valerie HÉbert
Not to Tiptoe Away in the Face of Suffering: Why We Look at Holocaust Photographs
Valerie HÉbert
Investigating Both Sides of the Camera on the Beach at Škede
Daniel Newman
Reading against the Gaze: Perpetrator Motives and Subject Responses in Photographs of a Mass Shooting
Tanja Kinzel
Ordinary Acts, Extraordinary Crimes: Photographic Practice and Atrocity
Daniel Hoffman
Describing Atrocity: Soviet Words on German Perpetrator Images
Marilyn Campeau
A Day at the Beach: The Škede Massacre and Littoral Photography
Daniel H. Magilow
Representations of Female Bodies in Holocaust Photographs
Dorota Glowacka
A Pedagogy of Witnessing: Reading and Interpreting the Škede Photographs in the Classroom
Hilary Earl
Contributors
Index