Drawing A Hypothesis

Figures of Thought
1. Auflage 2011
ISBN: 978-3-99043-423-9
Verlag: Ambra

Buch, Englisch, 351 Seiten, Gewicht: 575 g

Reihe: Edition Angewandte

In a lively exchange with artists and scientists, this book reveals drawing as a medium of research enabling the emergence of new ideas by tracing the speculative potential of diagrams. The contributors create unique correlations between thinking and drawing.

Zielgruppe

Professional and scholarly

Autoren/Hrsg.

Gansterer, Nikolaus

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Wissenschaften: Theorie, Epistemologie, Methodik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Philosophie Wissenschaftstheorie, Wissenschaftsphilosophie
• Geisteswissenschaften Philosophie Metaphysik, Ontologie

Inhaltsverzeichnis

Index of Figures. - Drawing a Hypothesis (Preface), Nikolaus Gansterer. - A Line with Variable Direction, which Traces No Contour, and Delimits No Form, Susanne Leeb. - I Must Be Seeing Things, Clemens Krümmel. - Subjective Objectivities, Jörg Piringer. - Grapheus Was Here, Anthony Auerbach. - Asynchronous Connections, Kirsten Matheus. - Distancing the If and Then, Emma Cocker. - Drawing Interest / Recording Vitality, Karin Harrasser. - Nonself Compatibility in Plants, Monika Bakke. - Hypotheses non Fingo or When Symbols Fail, Andreas Schinner, - Wiry Fantasy, Ferdinand Schmatz. - Reading Figures, Helmut Leder. - Collection of Figures of Thoughts, Gerhard Dirmoser. - Radical Cartographies, Philippe Rekacewicz. - 3 Elements, Axel Stockburger. - Dances of Space, Marc Boeckler. - Collection of Emotions and Orientation, Christian Reder. - On the Importance of Scientific Research in Relation to Humanities, Walter Seidl. - Interpersonal Governance Structures, Katja Mayer. - The Afterthought of Drawing: 6 Hypotheses, Jane Tormey. - The Hand, The Creatures, The Singing Garden & The Night Sky, Moira Roth. - The Unthought Known, Felix de Mendelssohn. - Processing the Routes of Thoughts, Kerstin Bartels. - An Attempted Survey, Section.a. - The Line of Thought, Hanneke Grootenboer. - Strong Evidence for Telon-priming Cell Layers in the Mammalian Olfactory Bulb, M. L. Nardo, A. Adam, P. Brandlmayr, B. F. Fisher. - Expected Anomalies Caused by Increased Radiation, Christina Stadlbauer. - On Pluto 86 Winter Lasts 92 Years, Ralo Mayer. - Appendix: Personalia. Subindex. Index of Names. Colophon. Notices.

Über Autor(innen)

Nikolaus Gansterer, born in 1974, lives and works in Vienna and Berlin. He studied art at the University of Applied Arts in Vienna and completed his post-academic studies at the Jan van Eyck Academy at Maastricht in The Netherlands. He is cofounder of the Institute for transacoustic Research and currently lecturer at the Institute for Transmedia Art in the University of Applied Arts in Vienna. He has an international performance and exhibition activity. As an artist, Nikolaus Gansterer is deeply interested in the links between drawing, thinking and action. In his visual work, he focuses on mapping processes emerging out of cultural and scientific networks, unfolding their immanent structures of interconnectedness. By rejecting a strict differentiation of these two areas, and through a consequent recombination of methods and settings from both fields, he arrives at distinct lines of connection and division, questioning the imaginary threshold between nature and culture, art and philosophy. Nikolaus Gansterer's fascination with the complex character of figures has led to his book Drawing a Hypothesis (Springer Wien/New York, 2011) on the ontology of shapes of visualizations and on the development of the diagrammatic view and its use in contemporary art, science and theory.

Nikolaus Gansterer, born in 1974, lives and works in Vienna and Berlin. He studied art at the University of Applied Arts in Vienna and completed his post-academic studies at the Jan van Eyck Academy at Maastricht in The Netherlands. He is cofounder of the Institute for transacoustic Research and currently lecturer at the Institute for Transmedia Art in the University of Applied Arts in Vienna. He has an international performance and exhibition activity. As an artist, Nikolaus Gansterer is deeply interested in the links between drawing, thinking and action. In his visual work, he focuses on mapping processes emerging out of cultural and scientific networks, unfolding their immanent structures of interconnectedness. By rejecting a strict differentiation of these two areas, and through a consequent recombination of methods and settings from both fields, he arrives at distinct lines of connection and division, questioning the imaginary threshold between nature and culture, art and philosophy. Nikolaus Gansterer's fascination with the complex character of figures has led to his book Drawing a Hypothesis (Springer Wien/New York, 2011) on the ontology of shapes of visualizations and on the development of the diagrammatic view and its use in contemporary art, science and theory.