The Cambridge Companion to Michael Tippett

Erscheinungsjahr 2013
ISBN: 978-1-107-02197-6
Verlag: Cambridge University Press

Buch, Englisch, 327 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 757 g

Reihe: Cambridge Companions to Music

Sir Michael Tippett is widely considered to be one of the most individual composers of the twentieth century, whose music continues to be performed to critical acclaim throughout the world. Written by a team of international scholars, this Companion provides a wide ranging and accessible study of Tippett and his works. It discusses the contexts and concepts of modernism, tradition, politics, sexuality and creativity that shaped Tippett's music and ideas, engaging with archive materials, relevant literature and models of interpretation. Chapters explore the genres in which Tippett composed, including opera, symphony, string quartet, concerto and piano sonata, to shed new light on his major works and draw attention to those that have not yet received the attention they deserve. Directing knowledge and expertise towards a wide readership, this book will enrich the listening experience and broaden understanding of the music of this endlessly fascinating and challenging composer.

Autoren/Hrsg.

Gloag, Kenneth

Jones, Nicholas

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker

Inhaltsverzeichnis

Chronology of Tippett's life and career Jonathan Rees; Part I. Contexts and Concepts: 1. Tippett and twentieth-century polarities Arnold Whittall; 2. Tippett and the English traditions Christopher Mark; 3. 'Things that chiefly interest ME': Tippett and early music Suzanne Cole; 4. Tippett and politics: the 1930s and beyond Joanna Bullivant; 5. 'Coming out to oneself': encodings of homosexual identity from the first string quartet to The Heart's Assurance Suzanne Robinson; 6. Between image and imagination: Tippett's creative process Thomas Schuttenhelm; Part II. Works and Genres: 7. Tippett's 'great divide': before and after King Priam Iain Stannard; 8. 'Symphonic music in our modern times': Tippett and the symphony Edward Venn; 9. Tippett and the concerto: from double to triple Kenneth Gloag; 10. The four piano sonatas: past and present tensions Alastair Borthwick; 11. Formal archetypes, revered masters and singing nightingales: Tippett's string quartets Nicholas Jones; 12. Tippett's operatic world: from The Midsummer Marriage to New Year Kenneth Gloag; 13. Words and music Edward Venn; Chronological list of works Jonathan Rees.

Über Autor(innen)

Jones, Nicholas
Nicholas Jones is Co-ordinating Lecturer for Humanities at the Centre for Lifelong Learning, Cardiff University. From 2005 to 2007 he was a Lecturer in Music and Deputy Chair of the MA in Music programme at the Open University. He has a specialist interest in twentieth-century and contemporary British music and is co-editor of and contributor to Peter Maxwell Davies Studies (2009). He has published a number of articles on the music of Davies, William Mathias and Anthony Powers for Music and Letters, The Musical Times and Tempo. He is a member of the Editorial Advisory Board for Tempo and is currently working on a book concerning the writings of Peter Maxwell Davies.

Gloag, Kenneth
Kenneth Gloag is Reader in Musicology at Cardiff University. He has published books on Tippett's A Child of our Time (1999) and Nicholas Maw's Odyssey (2008). He is co-editor of Peter Maxwell Davies Studies (2009) and is co-author of Musicology: The Key Concepts (2005). He is currently reviews editor of twentieth-century music.

Kenneth Gloag is Reader in Musicology at Cardiff University. He has published books on Tippett's A Child of our Time (1999) and Nicholas Maw's Odyssey (2008). He is co-editor of Peter Maxwell Davies Studies (2009) and is co-author of Musicology: The Key Concepts (2005). He is currently reviews editor of twentieth-century music.

Nicholas Jones is Co-ordinating Lecturer for Humanities at the Centre for Lifelong Learning, Cardiff University. From 2005 to 2007 he was a Lecturer in Music and Deputy Chair of the MA in Music programme at the Open University. He has a specialist interest in twentieth-century and contemporary British music and is co-editor of and contributor to Peter Maxwell Davies Studies (2009). He has published a number of articles on the music of Davies, William Mathias and Anthony Powers for Music and Letters, The Musical Times and Tempo. He is a member of the Editorial Advisory Board for Tempo and is currently working on a book concerning the writings of Peter Maxwell Davies.