Goertzen / Eshbach The Creative Worlds of Joseph Joachim

1. Auflage 2021
ISBN: 978-1-80010-389-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 376 Seiten, Format (B × H): 156 mm x 234 mm

Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches.

Autoren/Hrsg.

Goertzen, Valerie Woodring

Eshbach, Robert Whitehouse

Weitere Mitwirkende

Avins, Styra

Borchard, Beatrix

Crow, Kimberly

Ellsworth, Therese

Eshbach, Robert Whitehouse

Goertzen, Valerie Woodring

William P. Horne, William P.

Kamlah, Ruprecht

Leistra-Jones, Karen

Sumner Lott, Marie

Maxwell, Ian

Musgrave, Michael

Ota, Mineo

Papadopoulou, Vasiliki

Sanna Pederson, Sanna

Riggs, Robert

Todd, R. Larry

Uhde, Katharina

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Saiteninstrumente

Inhaltsverzeichnis

Introduction: The Creative Worlds of Joseph Joachim
Robert Whitehouse Eshbach
PART ONE: Identity
1. "Of the Highest Good": Joachim's Relationship to Mendelssohn
R. Larry Todd
2. Joseph Joachim and His Jewish Dilemma
Styra Avins
3. Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice
Mineo Ota
PART TWO: Joachim as Performer4. Joachim's Violins: Spotlights on Some of Them
Ruprecht Kamlah
5. (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven
Karen Leistra-Jones
6. "Thou That Hast Been in England Many a Year": The British Joachim
Ian Maxwell
7. Joachim at the Crystal Palace
Michael Musgrave
8. "Music Was Poured by Perfect Ministrants": Joseph Joachim at the Monday Popular Concerts, London
Therese Ellsworth
9. "Das Quartett-Spiel ist doch wohl mein eigentliches Fach": Joseph Joachim and the String
Quartet
Robert Riggs
10. Professor Joachim and His Pupils
Sanna Pederson
11. Performers as Authors of Music History: Joseph and Amalie Joachim
Beatrix Borchard
12. At the Intersection of Performance and Composition: Joseph Joachim and Brahms's Piano
Quartet in A Major, Op. 26, Movement III
William P. Horne
PART THREE: Joachim as Composer
13. Re-considering the Young Composer-Performer Joseph Joachim, 1841-53
Katharina Uhde
14. "Franz Liszt gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3
Vasiliki Papadopoulou
15. Drama and Music in Joachim's Overture to Shakespeare's Henry IV
Valerie Woodring Goertzen
16. "So Gleams the Past, the Light of Other Days": Joachim's Hebräische Melodien for Viola and Piano, Op. 9 (1853)
Marie Sumner Lott
17. Tovey's View of Joachim's "Hungarian" Violin Concerto
Robert Riggs
Bibliography
Index

Über Autor(innen)

Goertzen Valerie Woodring:
VALERIE WOODRING GOERTZEN is Professor of Music History, Loyola University New Orleans.Eshbach Robert Whitehouse:
ROBERT W. ESHBACH is Associate Professor of Music, University of New Hampshire.Eshbach Robert Whitehouse:
ROBERT W. ESHBACH is Associate Professor of Music, University of New Hampshire.Goertzen Valerie Woodring:
VALERIE WOODRING GOERTZEN is Professor of Music History, Loyola University New Orleans.Maxwell Ian:
IAN MAXWELL is an Honorary Research Fellow, Music Department, University of Sheffield.