GOTHIC-POSTMODERNISM | Buch | 978-90-420-2664-3 | sack.de

Buch, Englisch, Band 43, 212 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 363 g

Reihe: Postmodern Studies

GOTHIC-POSTMODERNISM

Buch, Englisch, Band 43, 212 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 363 g

Reihe: Postmodern Studies

ISBN: 978-90-420-2664-3
Verlag: BRILL ACADEMIC PUB


Being the first to outline the literary genre, Gothic-postmodernism, this book articulates the psychological and philosophical implications of terror in postmodernist literature, analogous to the terror of the Gothic novel, uncovering the significance of postmodern recurrences of the Gothic, and identifying new historical and philosophical aspects of the genre.
While many critics propose that the Gothic has been exhausted, and that its significance is depleted by consumer society’s obsession with instantaneous horror, analyses of a number of terror-based postmodernist novels here suggest that the Gothic is still very much animated in Gothic-postmodernism. These analyses observe the spectral characters, doppelgangers, hellish waste lands and the demonised or possessed that inhabit texts such as Paul Auster’s City of Glass, Salman Rushdie’s The Satanic Verses and Bret Easton Ellis’s Lunar Park.
However, it is the deeper issue of the lingering emotion of terror as it relates to loss of reality and self, and to death, that is central to the study; a notion of ‘terror’ formulated from the theories of continental philosophers and contemporary cultural theorists. With a firm emphasis on the sublime and the unrepresentable as fundamental to this experience of terror; vital to the Gothic genre; and central to the postmodern experience, this study offers an insightful and concise definition of Gothic-postmodernism. It firmly argues that ‘terror’ (with all that it involves) remains a connecting and potent link between the Gothic and postmodernism: two modes of literature that together offer a unique voicing of the unspeakable terrors of postmodernity.
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Weitere Infos & Material


Introduction
Part I: Defining Gothic-postmodernism
Defining Gothic-postmodernism
On Gothic Terror
Generic Investigations: What is ‘Gothic’?
Postmodernism
The Gothic and Postmodernism – At the Interface
Gothic Literary Transformations: The Fin de Siecle and Modernism
Part II: Analysing Gothic-postmodernism
Introduction to Part II
The Gothic-postmodernist Novel: Three Models
Gothic Metafiction: The Satanic Verses
Bulgakov’s The Master and Margarita
Textual Terrors of the Self: Haunting and Hyperreality in Lunar Park
Conclusion
Bibliography
Index


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