Graham / Vergunst Heritage as Community Research

Legacies of Co-production
1. Auflage 2019
ISBN: 978-1-4473-4532-9
Verlag: Policy Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 236 Seiten

Reihe: Connected Communities

Heritage as Community Research explores the nature of contemporary heritage research involving university and community partners. Putting forward a new view of heritage as a process of research and involvement with the past, undertaken with or by the communities for whom it is relevant, the book uses a diverse range of case studies, with many chapters co-written between academics and community partners. Through this extensive work, the Editors show that the process of research itself can be an empowering force by which communities stake a claim in the places they live.

Autoren/Hrsg.

Graham, Helen

Vergunst, Jo

Weitere Mitwirkende

Forrest, David

Pillatt, Toby

Cleall, Esme

Oliver, Jeff

Curtis, Neil

Curtis, Elizabeth

Wilkinson, Jenny

Higgett, Nick

Bowring, Tony

Hield, Fay

Shepherd, Colin

Marwood, Kimberley

Graham, Helen

Callaghan, Danny

Brookfield, Karen

McCarthy, Helen

Davis, Oliver

Vergunst, Jo

Matthews, Jodie

Pahl, Kate

Ball, John

Smith, Helen

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Stadt- und Regionalsoziologie

Inhaltsverzeichnis

Introduction: Heritage as community research ~ Jo Vergunst and Helen Graham;

Part one: Ways of knowing;

Chapter one: Legacy and lavender: community heritage and the arts ~ Helen Smith and Mark Hope;

Chapter two: Co-writing about co-producing musical heritage: what happens when musicians and academics work together? ~ John Ball, Tony Bowring, Fay Hield and Kate Pahl;

Chapter three: Visibly authentic: images of Romani people from 19th-century culture to the digital age ~ Jodie Matthews;

Chapter four: Digital building heritage ~ Nick Higgett and Jenny Wilkinson;

Chapter five: Shaping heritage in the landscape amongst communities past and present ~ Jo Vergunst, Elizabeth Curtis, Neil Curtis, Jeff Oliver and Colin Shepherd;

Part two: Heritage as action;

Chapter six: CAER heritage: legacies of co-produced research ~ Oliver Davis, Dave Horton, Helen McCarthy and Dave Wyatt;

Chapter seven: Do-It-Yourself heritage: Heritage-as-a-process (designing for the Stoke ‘ping’) ~ Karen Brookfield, Danny Callaghan and Helen Graham with members of the Ceramic City Stories team: Jayne Fair, Jan Roberts and Phil Rowley;

Chapter eight: From researching heritage to action heritage ~ Kimberley Marwood, Esme Cleall, Vicky Crewe, David Forrest, Toby Pillatt, Gemma Thorpe and Robert Johnston;

Chapter nine: Co-productive research in a primary school environment: un-earthing the past of Keig ~ Elizabeth Curtis, Jane Murison and Colin Shepherd;

Conclusion: Co-producing futures: directions for community heritage as research ~ Helen Graham, Jo Vergunst and Elizabeth Curtis.

Über Autor(innen)

Vergunst, Jo
Jo Vergunst is Senior Lecturer in the Department of Anthropology, University of Aberdeen

Curtis, Neil
University of Aberdeen

Hield, Fay
University of Sheffield

Graham, Helen
Helen Graham is Associate Professor in the School of Fine Art, History of Art and Cultural Studies, University of Leeds.

Pahl, Kate
Kate Pahl is Professor of Arts and Literacy at Manchester Metropolitan University, UK.

Forrest, David
David Forrest

Higgett, Nick
De Montfort University

Vergunst, Jo
Jo Vergunst is Senior Lecturer in the Department of Anthropology, University of Aberdeen

Curtis, Elizabeth
University of Aberdeen

Pillatt, Toby
University of York

Graham, Helen
Helen Graham is Associate Professor in the School of Fine Art, History of Art and Cultural Studies, University of Leeds.

Oliver, Jeff
University of Aberdeen

Jo Vergunst is a Lecturer in the Department of Anthropology at the University of Aberdeen.

Helen Graham is a Research Fellow in Tangible and Intangible Heritage and Director of the Centre for Critical Studies in Museums, Galleries and Heritage at the university of Leeds.