Green The Heart Goes Boom

1. Auflage 2016
ISBN: 978-1-903110-51-5
Verlag: Wrecking Ball Press
Format: EPUB
Kopierschutz: 0 - No protection

E-Book, Englisch, 234 Seiten

Like The Wizard of Oz meets Pulp Fiction, this debut novel from San Francisco writer Alex Green is a hilarious post-modern road trip through the shallow surfaces of a media obsessed America. After his girlfriend pushes him through a fortune-teller's window, fading TV star Kieran Falcon realises his life needs to take a decisive turn. Aided by an assorted cast of eccentrics, mavericks and outright maniacs, Kieran sets off on an epic quest for true love and immortality. Characterised by the type of snappy, witty writing that makes American literature so great, The Heart Goes Boom is one of the most enthralling and original novels you'll read this year.

Autoren/Hrsg.

Green, Alex

Leseproben

TWO In which we learn a little about Kieran Falcon and find that our story really hasn’t begun yet at all … Although he’d heard the words “love” and “immortality” before, Kieran Falcon had never really considered what either of them meant. The only time he had ever heard them uttered in the same sentence came during a scene on Malibu Justice, when District Attorney Kristina Spheeris, whispered to him during a hot-tub based love scene, “Our love will make us immortal.” He really had no idea what the line actually meant but he delivered the next line with so much conviction, it was as if he really did: “Totally,” he said. They kissed heavily and audibly – slop, slop and tongue – her swimsuit strap slid dangerously down her shoulder, the rising steam rose all around them and he never thought about it again. Their descent into carnal ecstasy was sound-tracked by a song called “Aquatic Amore,” which featured a lusty saxophone, a plangent bass line, a digital drum loop and behind it all, the sound of waves crashing on the sand and receding back into the surf. “Aquatic Amore” came from a CD titled The Waves of the Heart, which was first recorded in Malibu way back in 1994 by a minor synth pop artist who operated under the moniker Dickens 7. A direct descendent of Charles Dickens, Dickens 7 was really just twenty-eight year-old Thomas Howard Dickens sitting in his bedroom in the north wing of his parents’ estate in Connecticut with a synthesizer and a drum machine. The CD has 12 tracks, and 11 of them feature Dickens playing the same saxophone bit along with a digitized backbeat and some splashy mechanical drums. It’s a truly horrible collection of music. The only song without that saxophone bit is the first track. It should have been called “The Only Song With No Saxophone,” but instead it’s called Sonata #21, which is ridiculous because it isn’t even technically a sonata because sonatas don’t have lyrics. In the last third of the song Dickens 7 sings the lone couplet, “I’m touching you in my dreams / I’m dreaming I’m touching you / I know you’re dreaming that I’m dreaming / That I’m touching you in my dreams.” This aside, on the strength of its hypnotic synth grooves, “Aquatic Amore” has been used to great effect over the last few decades in soap operas, corporate training videos and soft-core pornographic films. Coincidentally enough, after the hot tub scene in Malibu Justice, Falcon contacted Dickens 7 and in 2005 the two men collaborated on a single called “A Dance Of Love,” which was available online through Kieran Falcon’s South Korean fan club. “I can’t believe we did this awesome song together,” Dickens 7 said to Falcon at the end of their studio session. “I can’t believe you still live with your parents,” Kieran Falcon said. But what the twenty-five year old Kieran Falcon really couldn’t believe was that after six years in the business – four of them on a highly rated prime time TV show – he still hadn’t made his long-desired leap from nighttime television to being the star of box-office topping motion pictures. Much to the annoyance of the producers of Malibu Justice, Falcon took some time off from the show and tried to transition into feature films, but his brief forays into cinema were decidedly unmemorable. For example, Muscle and Pipes, which also starred Chuck Norris and Tara Reid, was a certified box office bomb. The story of a retired plumber / martial arts expert who saves the world from an evil German genius planning a biological attack at a Forever 21 store was a notable disaster. Plus, Falcon’s German accent made him sound suspiciously like a Rabbi. Who was a vampire. From Bolivia. With a lisp. His other effort, Hot Tub Hollywood High, found Falcon starring as Mr. Knight, a model turned math teacher whose students came to class in bikinis. It was never released, in spite of the fact that it contained what Falcon believed was a very sexy love scene on the beach between him and the principal, played by Alyssa Milano. “It’s such a great scene,” he told Britt Kilbey, his personal assistant and personal chef of seven years. “We’re on the beach making out as the waves splash over us and Alyssa looks super hot.” At the time, Britt was making celery-spinach-lemon-kale juice and she couldn’t hear him over the blast of the blender. She liked Falcon well enough, but she had grown over the years so tired of his sexist comments, his blithe philandering and his social carelessness, she found that she liked him best when she couldn’t hear him, so drowning him out with a blender, a lawnmower, a leaf blower or thrash metal made things a lot easier. This explains why her Spotify playlist was stocked with bands like Venom, Annihilator, Temple Of Blood, Infernal Majesty and Demolition Hammer. When Falcon came back to Malibu Justice after a full year away, his popularity had noticeably dimmed and he asked to be released from his contract. Oddly, it was only his character’s death in a fire at City Hall that finally restored his popularity. Right before a burning beam struck him on the head and sent him down a fiery elevator hatch, he pushed District Attorney Spheeris to safety, pulled an engagement ring from his shirt pocket, uttered heroically, “You’re the flame in my raging heart,” and then perished, his cry of “I love you” a resonant and lonely echo from the horrific depths of his hellish end. That year Falcon almost won an Emmy, landed on page 37 of People Magazine in a feature called “Chambers Goes Down The Hatch, But Kieran Falcon Is Ready To Soar” and he drank wine in the early morning with Kathie Lee and Hoda Kotb as a guest on NBC’s “Today.” “I’m going to miss you,” Kathie Lee said, looking down at her empty wine glass. It’s still not clear who she was talking to. The last drop of wine or Kieran Falcon. At that point, Kieran Flacon was more popular than he’d ever been, but the trouble was, he was out of work. No longer on Malibu Justice and with a failed movie career already behind him, Falcon did the only thing left he could do: star regularly in movies on the Lifetime network. “Not a bad way to move a career forward,” he told his agent. “Not only is this easy work, but when else was I going to get to kiss Melissa Joan Hart?” Aside from this, Kieran Falcon wanted to be back on a weekly series and it would sometimes keep him up at night that he wasn’t, but then he’d book a movie with one of the Duff girls – he never could tell them apart – and forget about it for a while. “The perfect project is around the corner,” his agent would tell him every Pilot Season. “Trust me – your future is going to be lined with silver.” “I wonder why she never says it’s going to be lined with gold,” said Falcon’s best friend, the actor Odysseus Belafonte. “At this point I’ll take any precious metal,” said Kieran Falcon. If anyone knew about a golden career, it was Odysseus Belafonte. His ten-year tenure starring as Dr. Foster Washington James on the soap opera The Glamour and the Gold had won him nine Daytime Emmys. In a row. From there, the actor migrated to primetime television, where he currently commandeers the highly-rated CSI: U.C. Santa Barbara. The scrapes these college kids get into! That show shall never leave the air. Odysseus Belafonte had just married his longtime girlfriend Sloane Washington, the host of The Style Network’s makeover show “How To Work It At Work” and he couldn’t have been happier. He worried about his friend, however. He thought Kieran shouldn’t have left Malibu Justice in the first place and he worried he was wasting his time doing Lifetime movies and dating women he wasn’t in love with. So one night, while at dinner with Falcon, the handsome actor turned to the other handsome actor and said, “Kieran, we’ve been friends for years, but you’ve never told me you’re in love.” “I like you a lot,” Falcon said, “but I’m sorry, I’m just not in love with you.” “Not me,” Belafonte said, “a woman.” “I slept with a woman last night,” Falcon said, “and I loved it.” Belafonte sighed. “What I mean is, I don’t think you’ve ever been in love with a woman.” “I’m in love with Stacy,” Falcon said. “Was she the woman from last night?” “No. Although she would kind of look like her if she didn’t have dark hair. And brown eyes. And was taller. And wasn’t from Brazil.” “Face it, you’re not in love with Stacy,” Belafonte said. Weeks later, Stacy reached the same conclusion while walking with Falcon down Santa Monica boulevard. “You said we’d be married a year ago and we’re not even engaged,” Stacy said. “So when are we going to get married?” Falcon had been told by a friend, a...