Women and Images of Men in Cinema

Gender Construction in La Belle et la Bete by Jean Cocteau
1. Auflage 2019
ISBN: 978-0-367-32983-9
Verlag: Taylor & Francis Ltd

Buch, Englisch, 192 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 513 g

Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal gro

Zielgruppe

Professional Practice & Development

Autoren/Hrsg.

Hamburger, Andreas

Fachgebiete

• Sozialwissenschaften Psychologie Psychologische Disziplinen Gesundheitspsychologie
• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologische Theorie, Psychoanalyse Psychoanalyse (S. Freud)

Inhaltsverzeichnis

Beauties and Beasts in Film Psychoanalysis -- Women and images of men in cinema -- Psychoanalytical film interpretation—possibilities and limitations -- Beautiful beasts—motif tradition and film psychoanalysis in Jean Cocteau’s La Belle et la Bête (F 1946) -- The Beauties -- La Belle, la Bête, et la rose -- “You can’t say no to the Beauty and the Beast …”* Or: an ending and no beautiful beast -- The Beasts -- Once upon a time—Beauty and the Beast—a surrealistic survival attempt in the year 1946? -- Coming over to the wild side: women’s yearning for beastly encounters in the course of film history

Über Autor(innen)

Hamburger, Andreas