Hartt A Critical Companion to Medieval Motets

1. Auflage 2018
ISBN: 978-1-78744-254-2
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 17, 420 Seiten

Reihe: Studies in Medieval and Renaissance Music

First full comprehensive guide to one of the most important genres of music in the Middle Ages.

Autoren/Hrsg.

Hartt, Jared C.

Weitere Mitwirkende

Hartt, Jared C.

Leach, Elizabeth Eva

Bradley, Catherine

Clark, Alice V.

Earp, Lawrence

Desmond, Karen

Pesce, Dolores

Boogaart, Jacques

Haines, John

Udell, Stefan

Saltzstein, Jennifer

Clark, Suzannah

Saint-Cricq, Gaël

Thomson, Matthew P.

Zayaruznaya, Anna

Bent, Margaret

Fuller, Sarah

Zazulia, Emily

Fachgebiete

• Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Religionspädagogik, Christlicher Katechismus
• Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Christliches Leben & Praxis
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikgattungen Geistliche Musik, Religiöse Musik

Inhaltsverzeichnis

Introduction: Approaching Medieval Motets - Jared C. Hartt
The Genre(s) of Medieval Motets - Elizabeth Eva Leach
Origins and Interactions: Clausula, Motet, Conductus - Catherine Bradley
Tracing the Tenor in Medieval Motets - Alice V. Clark
Isorhythm - Lawrence Earp
Notations - Karen Desmond
Thirteenth-Century Motet Functions: Views through the Lens of the Portare Motet Family - Dolores Pesce
A Prism of its Time: Social Functions of the Motet in Fourteenth-Century France - Jacques Boogaart
Motets, Manuscript Culture, Mise-en-page - John Haines and Stefan Udell
Clerics, Courtiers, and the Vernacular Two-Voice Motet: The Case of Fines amouretes/Fiat and the Roman de la poire - Jennifer Saltzstein
When Words Converge and Meanings Diverge: Counterexamples to Polytextuality in the Thirteenth-Century Motet - Suzannah Clark
Motets in Chansonniers and the Other Culture of the French Thirteenth-Century Motet - Gaël Saint-Cricq
Building a Motet around Quoted Material: Textual and Musical Structure in Motets based on Monophonic Songs - Matthew P. Thomson
The Duet Motet in England: Genre, Tonal Coherence, Reconstruction - Jared C. Hartt
Materia Matters: Reconstructing Colla/Bona - Anna Zayaruznaya
Machaut's Motet 10 and Its Interconnections - Margaret Bent
A Motet Conceived in Troubled Times: Machaut's Motet 22 - Sarah Fuller
A Motet Ahead of Its Time? The Curious Case of Portio nature/Ida capillorum - Emily Zazulia
Bibliography of Works Cited

Über Autor(innen)

Hartt Jared C.:
JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music.Hartt Jared C.:
JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music.Leach Elizabeth Eva:
ELIZABETH EVA LEACH is Professor of Music at the University of Oxford and a Fellow of the British Academy. Her work focuses on song in the medieval West in the thirteenth and fourteenth centuries.Thomson Matthew P.:
MATTHEW P. THOMSON is a Fitzjames Research Fellow at Merton College, University of Oxford. His research focuses on music of the thirteenth and fourteenth centuries, including polyphonic motets, monophonic song, and the role of music in literature.Bent Margaret:
MARGARET BENT is an Emeritus Fellow of All Souls College, Oxford.