Buch, Englisch, Band 15, 362 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 753 g
Beckett dans l’histoire / En jouant Beckett
Buch, Englisch, Band 15, 362 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 753 g
Reihe: Samuel Beckett Today / Aujourd'hui
ISBN: 978-90-420-1767-2
Verlag: Brill | Rodopi
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction/Avant-propos
Announcement/Annonce
PART 1: “Historicising Beckett”
Seán KENNEDY: Introduction to “Historicising Beckett”
Sinéad MOONEY: Kicking against the Thermolaters: Beckett’s “Recent Irish Poetry”
David A. HATCH: Beckett in Transition: Three Dialogues, Little Magazines, and Post-War Parisian Aesthetic Debate
Rina KIM: Severing Connections with Ireland: Women and the Irish Free State in Beckett’s Writing
Patrick BIXBY: Watt Kind of Man are you? Beckettian Anthropology, Cultural Authenticity, and Irish Identity
Mark QUIGLEY: Unnaming the Subject: Samuel Beckett and Colonial Alterity
James MCNAUGHTON: Beckett, German Fascism, and History: The Futility of Protest
Seán KENNEDY: Cultural Memory in Mercier and Camier: The Fate of Noel Lemass
PART 2: Performing Beckett
Takeshi KAWASHIMA: The Resistance of Seeing in Beckett’s Drama: Self-Perception and Becoming Imperceptible
Antje DIEDRICH: Performance as Rehearsal: George Tabori’s Staging of Beckett’s Waiting for Godot and Endgame
Julie CAMPBELL: The Entrapment of the Female Body in Beckett’s Plays in Relation to Jung’s Third Tavistock Lecture
Dimitri SOENEN: La résistance des restes: l’appartenance ‘médiatique’ des ‘Shorter Plays’
Angela MOORJANI: Directing or In-Directing Beckett: Or What Is Wrong with Catastrophe’s Director?
Christina ADAMOU: What Where Revisited: Answering the Question
Juliette Taylor: “Pidgin Bullskritt”: The Performance of France in Beckett’s Trilogy
Thomas MANSELL: Different Music: Beckett’s Theatrical Conduct
Catherine LAWS: Beckett and Kurtág.
PART 3: The Child in Beckett’s Work
Daniela CASELLI: Introduction
Stephen THOMSON: “It’s not my Fault Sir”: The Child, Presence and Stage Space in Beckett’s Theatre
Daniela CASELLI: Tiny Little Things in Beckett’s Company
Jonathan BIGNELL: How to Watch Television? Pedagogy and Paedocracy in Beckett’s Television Plays
PART 4: Free Space
Diane LÜSCHER-MORATA: “It is not me”. From a refusal to speak of oneself to X, “paradigm of human kind”
Spyridoula ATHANASOPOULOU-KYPRIOU: Not I and/or the Art of Living
Geoff HAMILTON: Annihilating all that’s made. Beckett’s Molloy and The Pastoral Tradition
Matthew James VECHINSKI: “I could not cling to it”: Potentiality in L’Innommable and The Unnamable – A Dual-Language Study
Davyd MELNYK: Never Been Properly Jung.
