Buch, Englisch, Band 52, 260 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 435 g
Buch, Englisch, Band 52, 260 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 435 g
Reihe: At the Interface / Probing the Boundaries
ISBN: 978-90-420-2486-1
Verlag: Brill | Rodopi
Fachgebiete
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
- Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Geisteswissenschaften
Weitere Infos & Material
Preface
Holly Lynn BAUMGARTNER and Roger DAVIS: Hosting the Monster: Introduction
Duane W. KIGHT: “I Live in the Weak and the Wounded”: The Monster of Brad Anderson’s Session 9
Amaya MURUZÁBAL MURUZÁBAL: The Monster as a Victim of War: The Returning Veteran in The Best Years of Our Lives
Lucy FIFE: Human Monstrosity: Rape, Ambiguity and Performance in Rosemary’s Baby
Inderjit GREWAL: The Monstrous and Maternal in Toni Morrison’s Beloved
Hannah PRIEST: The Witch and the Werewolf: Rebirth and Subjectivity in Medieval Verse
Holly Lynn BAUMGARTNER: It’s Never the Bass: Opera’s True Transgressors Sing Soprano
Katherine ANGELL: Joseph Merrick and the Concept of Monstrosity in Nineteenth Century Medical Thought
Jessica WEBB: Herculine Barbin: Human Error, Criminality and the Case of the Monstrous Hermaphrodite
Cecilia A. FEILLA: Literary Monsters: Gender, Genius, and Writing in Denis Diderot’s ‘On Women’ and Mary Shelley’s Frankenstein
Sorcha NÍ FHLAINN: Sweet, Bloody Vengeance: Class, Social Stigma and Servitude in the Slasher Genre.
David M. KINGSLEY: It Came from Four-Colour Fiction: The Effect of Cold War Comic Books on the Fiction of Stephen King
Liesbet DEPAUW: The Monsters that Failed to Scare: The Atypical Reception of the 1930s Horror Films in Belgium
Roger DAVIS: “a white illusion of a man”: Snowman, Survival and Speculation in Margaret Atwood’s Oryx and Crake
Notes on Contributors