Buch, Englisch, Band 203, 416 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 651 g
Reihe: Costerus New Series
Jane Austen’s <i>Pride and Prejudice</i> and <i>Mansfield Park</i> on Screen
Buch, Englisch, Band 203, 416 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 651 g
Reihe: Costerus New Series
ISBN: 978-90-420-3846-2
Verlag: Brill | Rodopi
Marie Nedregotten Sørbø has taught English literature at Volda University College, Norway, for many years, including courses on film and fiction. For her doctoral degree she wrote a dissertation on the reception of Jane Austen on screen. Sørbø has contributed the Norwegian chapters to the volumes on The Reception of Jane Austen in Europe (2007) and The Reception of George Eliot in Europe (forthcoming, 2015). She was part of the leadership of the European COST Action “Women Writers in History” (2009-13), and is a Principal Investigator in the HERA funded project “Travelling TexTs 1790-1914: The Transnational Reception of Women’s Writing at the Fringes of Europe” (2013-16).
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
- Geisteswissenschaften Literaturwissenschaft Rezeption, literarische Einflüsse und Beziehungen
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
Weitere Infos & Material
Illustrations
Acknowledgements
Introduction: Responses to Austen’s Novels
Part I: Pride and Prejudice
Chapter One: The Novel: Austen’s Ironic Voice
Chapter Two: The Novel: Courtship Couched in Irony
Chapter Three: The 1940 Film: Old England Invoked
Chapter Four: The 1980 Miniseries: Faithful to the Feminist Perspective?
Chapter Five: The 1995 Miniseries: Faithful to the Female Audience
Chapter Six: The 2005 Film: Everybody Loves the Bennet Family
Part II: Mansfield Park
Chapter Seven: The Novel: Class and Patriarchy Undermined
Chapter Eight: The Novel: Marriage as a Game of Speculation
Chapter Nine: The 1983 Miniseries: The Beauty of Tradition
Chapter Ten: The 1999 Film: Aiming for Austen’s Voice
Chapter Eleven: The 1999 Film: The Targets of Irony – Racism, Sexism and Class
Chapter Twelve: The 2007 TV Film: “Some Much Needed Sizzle”
Conclusion: The Voice of Irony and the Urge for Idyll
Filmography
Bibliography
Index