Listening to the Lomax Archive

The Sonic Rhetorics of African American Folksong in the 1930s
Erscheinungsjahr 2021
ISBN: 978-0-472-03855-8
Verlag: University of Michigan Press

Buch, Englisch, 240 Seiten, Paperback, Format (B × H): 152 mm x 229 mm

In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the “American Negro” in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound.

Autoren/Hrsg.

Fachgebiete

• Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Sprachwissenschaft Textlinguistik, Diskursanalyse, Stilistik

Inhaltsverzeichnis

- Acknowledgments
- For Pete's Sake: Audio Preface
- Introduction. Finding Folkness in Rhetorical Studies (Turn, Turn, Turn)
- Interlude I: Resimplifications
- Chapter 1. Sonic Rhetorical Historiography: Re-Orienting Authenticity During the Inter-War Period
- Chapter 2. Rhetoric, Representation, and Race in the Lomax Prison Recordings
- Interlude II: Oral History's Exigence
- Chapter 3. Inventing Jazz: Jelly Roll Morton and the Sonic Rhetorics of Hot Musical Performance
- Interlude III: Popular Front Education
- Chapter 4. Folksong on the Radio: The Sounds of Broadcast Democracy on Columbia's American School of the Air
- Conclusion. Hearing the Lomax Archive
- Appendix: List of Audio Resources
- Works Cited

Über Autor(innen)

Jonathan W. Stone is Assistant Professor of Writing and Rhetoric Studies at the University of Utah.