Buch, Englisch, Band 37, 222 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 417 g
Reihe: Cross/Cultures
A.W. Drayson to H.C. Bosman
Buch, Englisch, Band 37, 222 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 417 g
Reihe: Cross/Cultures
ISBN: 978-90-420-0517-4
Verlag: Brill | Rodopi
A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre.
In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story.
The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele.
Autoren/Hrsg.
Weitere Infos & Material
Preface. 1 Introduction. The Oral-Style Story. 2 The 'Ur-South African' Oral-Style Story. A.W. Drayson, Frederick Boyle and J. Forsyth Ingram. 3 The 'Artless' Oral-Style Story. W.C. Scully and Percy FitzPatrick. 4 On the Cusp of 'Artfulness'. Ernest Glanville's Uncle Abe Pike. 5 The 'Artful' Oral-Style Story. Perceval Gibbon's Vrouw Grobelaar Sequence. 6 The Taller the Tale. Francis Carey Slater's Oom Meihaas. 7 Half a Step Forward? Pauline Smith's Koenraad Tales. 8 Casual Sophistication and the Metafictional. Aegidius Jean Blignaut's Hottentot Ruiter. 9 The Oral Stylist par excellence. Herman Charles Bosman. 10 Postscript. The Oral-Style Story After Bosman. 11 Conclusion. Works Cited. Index.