Post-cinema

Cinema in the Post-art Era
0. Auflage 2020
ISBN: 978-94-6372-723-5
Verlag: Amsterdam University Press

Buch, Englisch, Band 8, 366 Seiten, Format (B × H): 240 mm x 162 mm, Gewicht: 704 g

Reihe: The Key Debates: Mutations and Appropriations in European Film Studies

Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.

Autoren/Hrsg.

Moure, José

Chateau, Dominique

Weitere Mitwirkende

Andrew, Dudley

Gaudreault, André

Marion, Philippe

Scemama, Céline

Burgin, Victor

Fossati, Giovanna

Oever, Annie

Génin, Christophe

Jost, François

Hagener, Malte

Casetti, Francesco

Pinotti, Andrea

Rosa, Miriam

Rivadeneira Crespo, Gabriela

Chateau, Dominique

Conte, Richard

Viart, Christophe

Zvonkine, Eugénie

Courant, Gérard

Bing, Wang

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Editorial
Acknowledgments
1. Introduction - Dominique Chateau & José Moure.
Part I - A tribute to Agnès Varda
2. The Incipit of BEACHES OF AGNÊS (LES PLAGES D'AGNÊS): An Installation in the Form of a Self-portrait - José Moure
II. The End of Cinema ?
3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come (Columbia University Press, 2015) by Francesco Casetti - Dudley Andrew
4. Cinema Hangs Tough - André Gaudreault & Philippe Marion
5. Jean-Luc Godard's Histoire(s) du cinéma or Cinema Surpasses Itself - Céline Scemama
III. Technological Transformations
6. Mutation, appropriation and style - Victor Burgin
7. The 21st-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice Is Transition - a Dialogue - Giovanna Fossati & Annie van den Oever
8. In-flight Entertainment or the Emptying Process of Art in the Air - Christophe Génin
IV. New dispositif, new conditions
9. What Kind of Art is the Cinema of Interactions? - François Jost
10. Thinking Inside and Outside of the (Black) Box. BIRD BOX and Netflix' algorithmic operations - Malte Hagener
11. Post-Cinema Ecology - Francesco Cassetti & Andrea Pinotti
V. Transformations in film form
12. Space-Image: for an Environmental Reading of Artists' Moving Image Experience - Miriam de Rosa
13. EXTRAORDINARY STORIES, a Mariano Llinás' Postmodern Art Film - A. Gabriela Rivadaneira
14. Art, Otherwise Than Art. Cinema and Contemporary Art: a Mutual Challenge - Dominique Chateau
15. The Zidane Film - Richard Conte
V. Post-cinema, an artists' affair
16. Marcel Broodthaers: Post-cinema Before Itself? - Christophe Viart
17. Per aspera ad astra, or Through Post-cinema Towards Cinema, the Reverse Journey of Ilya Khrzhanovsky's DAU - Eugénie Zvonkine
18. CINÉMATON: the Shortest Films for the Longest Film - A Dialogue - Gérard Courant, Dominique Chateau & José Moure
19. Documentary as Contemporary Art - A Dialogue - Wang Bing, Dominique Chateau & José Moure
Index

Über Autor(innen)

Moure, José
José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE.

Chateau, Dominique
Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I.