Buch, Englisch, Band 35, 312 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 483 g
Buch, Englisch, Band 35, 312 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 483 g
Reihe: Consciousness, Literature and the Arts
ISBN: 978-90-420-3763-2
Verlag: Brill | Rodopi
New Guide to Poetry and Poetics opens with analyses of the elemental forces of creativity: the creative impulse, the creative imagination and the sacred impulse. The book then describes in detail how a poet’s voice and vision are formed and sometimes reformed in the course of a career, and it establishes the real nature of rhythm and music in poetry. Problematic areas – inspiration, meaning, reality, myth and mystery in poetry – are fully explored in discourses that identify the true properties of poetry, dispel several misconceptions and expose inadequacies in current literary theory.
The author examines concepts of poetry from Plato to the twenty-first century. The book includes detailed studies of the principles of poetry expressed by Wordsworth, Coleridge, Shelley and Keats at the beginning of the nineteenth century, and of the widely contrasting principles of Arnold and Emerson in the second half of that century. There are radical re-assessments of the concepts – in effect, the philosophies – of major poet-critics of the twentieth century: W. B. Yeats, T. S. Eliot, Ezra Pound, W. H. Auden, Wallace Stevens, William Carlos Williams and Stephen Spender. The poetic principles of Seamus Heaney and Robert Nye form a bridge from the last century to the present.
By focusing on the creative process and applying the findings of linguistics and neuroscience, the book shows ways in which the poet’s mind functions in the making of poems. On questions of brain and mind the book considers the findings, and the conjectures, of Daniel Dennett, Antonio Damasio, Oliver Sacks, Michael Persinger and the remarkably durable work of William James. On questions of language it considers the works of Ludwig Wittgenstein and recent work by Noam Chomsky, David Crystal and Steven Pinker; the author also draws on his own knowledge of the properties of language.
James Aitchison’s publications include The Golden Harvester: The Vision of Edwin Muir, The Cassell Dictionary of English Grammar and Foraging: New and Selected Poems.
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The author examines concepts of poetry from Plato to the twenty-first century. The book includes detailed studies of the principles of poetry expressed by Wordsworth, Coleridge, Shelley and Keats at the beginning of the nineteenth century, and of the widely contrasting principles of Arnold and Emerson in the second half of that century. There are radical re-assessments of the concepts – in effect, the philosophies – of major poet-critics of the twentieth century: W. B. Yeats, T. S. Eliot, Ezra Pound, W. H. Auden, Wallace Stevens, William Carlos Williams and Stephen Spender. The poetic principles of Seamus Heaney and Robert Nye form a bridge from the last century to the present.
By focusing on the creative process and applying the findings of linguistics and neuroscience, the book shows ways in which the poet’s mind functions in the making of poems. On questions of brain and mind the book considers the findings, and the conjectures, of Daniel Dennett, Antonio Damasio, Oliver Sacks, Michael Persinger and the remarkably durable work of William James. On questions of language it considers the works of Ludwig Wittgenstein and recent work by Noam Chomsky, David Crystal and Steven Pinker; the author also draws on his own knowledge of the properties of language.
James Aitchison’s publications include The Golden Harvester: The Vision of Edwin Muir, The Cassell Dictionary of English Grammar and Foraging: New and Selected Poems.
Fachgebiete
Weitere Infos & Material
The Creative Impulse
Imagination
The Sacred Impulse
Poetic Vision
Madness
Poetic Voice
Emotion in Poetry
Thought in Poetry
Meaning
The Poet’s Role
A Fellowship of Poets
Language
Poetry and Music
Technique
Imagery
Rhyme
Rhythm
Poetry and Reality
Reading Poetry
Bibliography
Index of Names
Index of Topics
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