Phenomenology as Performative Exercise

Erscheinungsjahr 2020
ISBN: 978-90-04-42098-4
Verlag: Brill

Buch, Englisch, Band 19, 236 Seiten, Format (B × H): 160 mm x 239 mm, Gewicht: 476 g

Reihe: Studies in Contemporary Phenomenology

This volume, edited by Lucilla Guidi and Thomas Rentsch, establishes the first systematic connection between phenomenology and performativity. On the one hand, it outlines the performativity of phenomenology by exploring its enactment and the transformation of attitude it effects; this exploration is conducted through a number of parallels between phenomenology and the ancient understanding of philosophy as an exercise and a way of life. On the other hand, the volume examines different notions of performativity from a phenomenological perspective, so as to show that a phenomenological understanding of embodied experience complements a linguistic account of performativity and can also offer a ground for bodily practices of resistance, critique, and self-transformation in our own day and age.

Autoren/Hrsg.

Weitere Mitwirkende

Guidi, Lucilla

Rentsch, Thomas

Fachgebiete

• Geisteswissenschaften Philosophie Moderne Philosophische Disziplinen Phänomenologie
• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Theorie, Politische Philosophie
• Geisteswissenschaften Philosophie Sozialphilosophie, Politische Philosophie

Inhaltsverzeichnis

List of Contributors

Introduction

Section 1: The Performativity of Phenomenology

1 Heidegger’s Performative Phenomenology: Formalization, Enactment and Performativity

Daniel O. Dahlstrom

2 From Crisis to Psychoanalysis: Suspension as an Act of Resistance against the Reduction of Subjects’ Singularities

Dorothée Legrand

3 Phenomenology and Transformation: Platonic Motifs in Husserlian Phenomenology

Antonio Cimino

4 Gadamer Reader of Plato. Performative Exercises in Phenomenological Reading

Diego D’Angelo

5 Phenomenology as a Transformative Experience: Heidegger and the Grammar of Middle Voice

Lucilla Guidi

Section 2: The Phenomenology of Performativity

6 Expression and the Performative. A Reassessment

Michela Summa

7 Bodily Performativity: Enacting Norms

Maren Wehrle

8 Performing Criticism. (Post)Phenomenological Considerations of Contending Bodies

Iris Laner

9 Performativity: The Constitution and Critique of Meaning

Thomas Rentsch

Section 3: Exercises

10 The Weight of History: From Heidegger to Afro-Pessimism

Jan Slaby

11 Performing Phenomenology: The Work of Choreographer Margrét Sara Guðjónsdóttir

Susan Kozel

12 Extended Selves: Phenomenological Remarks on Digital Processes of Subjectification

Federica Buongiorno

Über Autor(innen)

Lucilla Guidi (Ph.D.) is Postdoctoral Researcher at the University of Hildesheim, Germany. Her main research interests are phenomenology, performativity and Wittgenstein’s philosophy. Her publications include the book Il rovescio del performativo (2016), as well as many articles on Heidegger and Wittgenstein.

Thomas Rentsch is Professor of Practical Philosophy/Ethics at the Technical University of Dresden, Germany. His fields of research are phenomenology, hermeneutics, and philosophy of language. His latest book is Philosophie des 20. Jahrhunderts (2014).