Translating Jazz Into Poetry

From Mimesis to Metaphor
1. Auflage 2017
ISBN: 978-3-11-032654-3
Verlag: De Gruyter

Buch, Englisch, Band 42, 309 Seiten, HC runder Rücken kaschiert, Format (B × H): 160 mm x 236 mm, Gewicht: 633 g

Reihe: Buchreihe der Anglia / Anglia Book Series

The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear).

Zielgruppe

Academics (American and African American Studies, Cognitive Linguistics), Libraries

Autoren/Hrsg.

Redling, Erik

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Literaturwissenschaft Rezeption, literarische Einflüsse und Beziehungen
• Geisteswissenschaften Musikwissenschaft Musikgattungen Jazz

Über Autor(innen)

Erik Redling, Martin Luther University of Halle-Wittenberg, Germany.