The Hidden Cinema

British Film Censorship in Action 1913-1972
1. Auflage 2017
ISBN: 978-1-138-16238-9
Verlag: Taylor & Francis

Buch, Englisch, 212 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 454 g

Reihe: Cinema and Society

How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972.

Autoren/Hrsg.

Robertson

Robertson, Dr James C

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie

Inhaltsverzeichnis

Introduction 1 The silents, 1913–1929 2 The early talkies, 1930–1939 3 The Second World War and its aftermath, 1940–1950 4 The later talkies, 1950–1975 5 Conclusion

Über Autor(innen)

Dr James C Robertson