Buch, Englisch, Band 372, 244 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 390 g
Reihe: Faux Titre
Buch, Englisch, Band 372, 244 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 390 g
Reihe: Faux Titre
ISBN: 978-90-420-3523-2
Verlag: Brill | Rodopi
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Englische Literatur Irische Literatur
- Geisteswissenschaften Literaturwissenschaft Literatursoziologie, Gender Studies
- Geisteswissenschaften Literaturwissenschaft Einzelne Autoren: Monographien & Biographien
- Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
Weitere Infos & Material
Acknowledgements
Introduction
Pain as a Creative Force
Mark Nixon: “Happily melancholy”: Pleasure and Pain in Early Beckett
Graley Herren: Mourning Becomes Electric: Mediating Loss in Eh Joe
Garin Dowd: Beckettian Pain, In the Flesh: Singularity, Community and “the Work”
Mariko Hori Tanaka: The Body in Pain and Freedom of the Mind: Performing Beckett and Noh
Pain in the Age of Uncertainty
Peter Fifield: “Frankly now, is there pain?”: Beckett, Medicine and the Composition of Pain
David Houston Jones: “Strange Pain”: Archive, Trauma and Testimony in Samuel Beckett and Christian Boltanski
Yoshiki Tajiri: Everyday Life and the Pain of Existence in Happy Days
Pain at the Limit of the Human
Jonathan Boulter: “We have our being in justice”: Samuel Beckett’s How It Is
Mary Bryden: “That or Groan”: Paining and De-paining in Beckett
Michiko Tsushima: The Appearance of the Human at the Limit of Representation: Beckett and Pain in the Experience of Language
Contributors
Index