Buch, Englisch, Band 41, 244 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 426 g
Buch, Englisch, Band 41, 244 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 426 g
Reihe: At the Interface / Probing the Boundaries
ISBN: 978-90-420-2324-6
Verlag: Brill | Rodopi
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
Weitere Infos & Material
Martin F. NORDEN: Introduction
Matthew SOAR:The Bite at the Beginning: Encoding Evil Through Film Title Design
Linda BRADLEY SALAMON: Screening Evil in History: Rope, Compulsion, Scarface, Richard III
Mike FRANK: The Radical Monism of Alfred Hitchcock
Cynthia FREELAND: Natural Evil in the Horror Film: Alfred Hitchcock’s The Birds
Matt HILLS and Steven Jay SCHNEIDER: “The Devil Made Me Do It!”: Representing Evil and
Disarticulating Mind/Body in the Supernatural Serial Killer Film
Thomas HIBBS: Virtue, Vice, and the Harry Potter Universe
Robin R. MEANS COLEMAN and Jasmine Nicole COBB: Training Day and The Shield: Evil Cops and the Taint of Blackness
Martin F. NORDEN: The “Uncanny” Relationship of Disability and Evil in Film and Television
Carlo CELLI: Comedy and the Holocaust in Roberto Benigni’s Life is Beautiful/La vita è bella
Garnet C. BUTCHART: On the Void: The Fascinating Object of Evil in Human Remains
John F. STONE:The Perfidious President and “The Beast”: Evil in Oliver Stone’s Nixon
Gary R. EDGERTON, William B. HART, and Frances HASSENCAHL: Televising 9/11 and Its Aftermath: The Framing of George W. Bush’s Faith-Based Politics of Good and Evil
Bibliography
Notes on Contributors
Index