Art, Tech, and the Seduction of an Idea
Buch, Englisch, 256 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
ISBN: 978-0-472-07627-7
Verlag: University of Michigan Press
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Wissenssoziologie, Wissenschaftssoziologie, Techniksoziologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
- Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften
Weitere Infos & Material
Acknowledgements
Introduction
The Creativity Complex
1. How We All Became Creative
Creative Imperatives
The Individual and the Imagination
Creativity, Intelligence, and the Nation
Anti-Authoritarianism and Cold War Individualism
Romanticism’s Afterlife
2. The Creative Society: Reagan and the California Crusade
Dogwhistle Tunes
Creativity’s Institutional Complex
3. Creativity in the Classroom: Maker Education and Labor Precarity
A Minute on Maker Education
Who are Makers?
Makers in the Classroom
Making the Future
4. Discarded Creativity: Libertarian Mythologizing and Steampunk Nostalgia
Punking Victoriana
Nostalgia and Yesterday’s Tomorrows
Libertarianism and the Theaters of Rugged Consumerism
Archeologists of the Present
5. Creativity’s Monsters: Frankenstein at 200
Bridging “The Two Cultures”
Self-Fulfillment as Social Peril
Ethical Romanticism
6. Creative Futures: The Pacific Century, the Creative Century
Creative China
America’s Creative Failure
The Pacific Century and Creative Democracy
Epilogue
From the Ruins: Reconstructing Creativity