Buch, Englisch, Band 62, 322 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 708 g
Goethe and Visual Culture
Buch, Englisch, Band 62, 322 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 708 g
Reihe: Amsterdamer Beiträge zur neueren Germanistik
ISBN: 978-90-420-2124-2
Verlag: Brill | Rodopi
Fachgebiete
Weitere Infos & Material
Acknowledgements
Abbreviations
Introduction
Patricia Anne SIMPSON and Evelyn K. MOORE: The Enlightened Eye: Visual Culture in the Age of Goethe
I.Visions/Revisions of the Neoclassical Aesthetic
Melissa DABAKIS: Angelika Kauffmann, Goethe, and the Arcadian Academy in Rome
Catriona MACLEOD: Sweetmeats for the Eye: Porcelain Miniatures in Classical Weimar
Beate ALLERT: Goethe, Runge, Friedrich: On Painting
Margaretmary DALEY: The Gendered Eye of the Beholder: The Co-ed Art History of the Jena Romantics
Mary Helen DUPREE: Elise in Weimar: “Actress-Writers” and the Resistance to Classicism
Patricia Anne SIMPSON: Visions of the Nation: Goethe, Karl Friedrich Schinkel, and Ernst Moritz Arndt
II. The Violence of Vision: Science, Technology, and the Stage of Language
Evelyn K. MOORE: Goethe and Lavater: A Specular Friendship
Elliott SCHREIBER: Towards an Aesthetics of the Sublime Augenblick: Reading Karl Philipp Moritz Reading Goethe’s Die Leiden des jungen Werthers
Clark S. MUENZER: Fugitive Images and Visual Memory in Goethe’s Discourse on Color
Eric Hadley DENTON: The Technological Eye: Theater Lighting and Guckkasten in Michaelis and Goethe
Astrida Orle TANTILLO: The Subjective Eye: Goethe’s Farbenlehre and Faust
Heide CRAWFORD: Poetically Visualizing Urgestalten. The Union of Nature, Art, and the Love of a Woman in Goethe’s “Die Metamorphose der Pflanzen”
Richard BLOCK: Scribbles from Italy: Cy Twombly’s Experiment in Seeing Goethe See Language
III. Appendix
Notes on the Contributors
Index