Creative Destruction and the Rise of Urban Coastal Tourism in Contemporary Spanish Culture
Buch, Englisch, 272 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
ISBN: 978-0-8265-0622-1
Verlag: Vanderbilt University Press
In addition to inserting the coasts into the scope of Iberian urban studies (typically dominated by studies of Madrid and Barcelona) this project breaks new ground by bringing to the fore unexplored cultural artifacts vital to the narrative of development along the coasts in Spain: in particular the ubiquitous tourist postcard, which advances not only the post-Franco economic miracle, but does so by highlighting the transformation of the actual Spanish landscape along its coasts.
The Paradox of Paradise features more than twenty-five striking images of coastal Spain in the throes of its own coming of age. William Nichols has unlocked a strange, self-conscious archive that tells us as much about our own age of advertising as it does about the hotels and resorts and people on display.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
- Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Dienstleistungssektor & Branchen Tourismuswirtschaft, Gastgewerbe
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Demographie, Demoskopie
Weitere Infos & Material
Acknowledgments
Introduction: Concrete Coasts and Liquid Tourism
Chapter 1. Designing Desire: Hotels and the Architecture of Paradise as the
Chapter 2. Scenes from Paradise: Postcards, the Tourist’s Gaze, and the Generation of Dreams
Chapter 3. Empty Tourist Spaces: Paradise, Satire, and the Photography of Martin Parr and Carlos PÉrez Siquier
Chapter 4. From Tourist Paradise to “ParaÍso Fiscal”: Construction, Corruption, and the Legacy of JesÚs Gil
Conclusion
Notes
Index