Buch, Englisch, 384 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
Buch, Englisch, 384 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
ISBN: 978-0-472-13288-1
Verlag: University of Michigan Press
Autoren/Hrsg.
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Introduction: Romanticism, Visuality, and the Theater
Diane Piccitto and Terry F. Robinson
I. Imagined Scenes
1. The 1794 Macbeth and Its Conjuring Effects: Rethinking Romantic-Era Spectatorship
Terry F. Robinson
2. “Mind-forg’d Manacles”: The Scenography of the Romantic Prison
Joseph Roach
3. Some Versions of Spectacle: Worldmaking and the Regency Toy Theater
Daniel O’Quinn
4. Conjuring the Space and the Right to Appear in Obi; or Three-Fingered Jack (1800)
Dana Van Kooy
II. Spectacular Bodies
5. “I saw Othello’s visage in his mind”: Visualizing Othello in Nineteenth-Century British Theater
Atsede Makonnen
6. Playing “Alive”: Performing Sculpture on the Romantic Stage
Sophie Thomas
7. “Dresses in Hand”: Mary Rein’s Costume Workshop and the Spectacle of Romantic Theater
Susan E. Brown
8. The Singing Cat: British Audiences, Angelica Catalani, and the Threat of Opera
Uri Erman
III. Performances in Print
9. The Stage in a Page: A Visual Life of Romantic Playbills
Michael Gamer
10. Between Media: Harlequinade’s and Melodrama’s Visuality in Print
Deven M. Parker
11. Robert Blemmell Schnebbelie, Londina Illustrata, and the Visual Life of Regency Theater
Gillian Russell
12. Staging Satire: Gillray and “Caricatura-Sublime”
Heather Mcpherson
13. Theatrical Spectatorship in Byron’s Cain and Blake’s The Ghost of Abel: From Oblivion to Redemption
Diane Piccitto
Afterword: Romanticism is Seeing Ghosts
Jonathan Mulrooney
Contributors