Buch, Englisch, Band 36, 442 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 333 g
Reihe: Matatu
Narrating Africa in Europe
Buch, Englisch, Band 36, 442 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 333 g
Reihe: Matatu
ISBN: 978-90-420-2538-7
Verlag: Brill | Rodopi
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Afrikanische Literaturen
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Historische Migrationsforschung
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
Weitere Infos & Material
Acknowledgements
Illustrations
Introduction
New Euro-African Literary Spaces
Sabrina BRANCATO: Voices Lost in a Non-Place: African Writing in Spain
Peter N. PEDRONI: Kossi Komla–Ebri and Migrant Writing in Italy
Daniela MEROLLA: Poetics of Transition: Africa and Dutch Literary Space
Elisabeth BEKERS: Chronicling Beyond Abyssinia: African Writing in Flanders, Belgium
Eila RANTONEN: African Voices in Finland and Sweden
Literary Perspectives
Frank SCHULZE–ENGLER: Transcultural Modernities and Anglophone African Literature
Susan ARNDT: Euro-African Trans-Spaces? Migration, Transcultural Narration and Literary Studies
Elisabeth BEKERS: Culture in Transit: The Migration of Female Genital Excision to Europe in Euro-African Writing
Susanne GEHRMANN: Black Masculinity, Migration and Psychological Crisis: A Reading of Simon Njami’s African Gigolo
Elisa DIALLO: Polyphony, Old ‘Lyonnais’ and Animism: Africa in Urban Europe in Un Rêve utile de Tierno Monénembo
Nadia BUTT: Negotiating Untranslatability and Islam in Leila Aboulela’s The Translator
Obododimma OHA: ‘Occupying the Isolated Terminal Space and Silent’: The Rhetoric of Inclusion and Exclusion in the Poetry of Femi Oyebode
Daria TUNCA: Linguistic Counterpoint in Gbenga Agbenugba’s Another Lonely Londoner
Visual and Cinematographic Narratives
Alex ROTAS: New Labels, But It’s Still Labelling: Ibrahim El Salahi and Mohamed Bushara as ‘Asylum Artists’ in the UK
Marie–Christine PRESS: North African Modernities: Myth Stripped Bare
Daphne PAPPERS: Spies in the Sixteenth Arrondissement: Myriam Mihindou Exhibits at the Musée Dapper in Paris
Jacobia DAHM: Emigrants and Immigrants of Burkina Faso, Senegal, and France: Ousmane Sembène’s La Noire De. and S. Pierre Yameogo’s Moi et mon blanc
Marie–Hélène GUTBERLET: Towards an Aesthetic of the Migrant Self: The Film Le Clandestin by José Zeka Laplaine
Nwachukwu Frank UKADIKE: Critical Dialogues: Transcultural Modernities and Modes of Narrating Africa in Documentary Films
Imagining Life – Narrating Stories
Graham HUGGAN: Imagining Disaster in the African Postcolony
Sissy HELFF: Refugee Life Narratives: The Disturbing Potential of a Genre and the Case of Mende Nazer
Katrin BERNDT: Shared Paradoxes in Namibian and German History: Lucia Engombe’s Kind Nr. 95
Annika LIEBY–MCPHERSON: From Utopia to Atopia to Diaspora? Social (Re-)Organization in a German Refugee Home
Bettina HORN–UDEZE: “Here in Europe it’s like a secret cult”: A Nigerian Migrant’s Narration of Initiation into the System of Migration
Christine MATZKE: “Performing ‘Africa’” in Germany: Members of abok Theatre Company in Conversation
Fouad LAROUI: Misunderstandings: Working Euro-African Life into Fiction
Creative Writing
Fouad LAROUI: Le Pyjama bleu
Chika UNIGWE: Cotton Candy
Notes on Contributors and Editors
Notes for Contributors