Cinema Off Screen

Moviegoing in Socialist China
1. Auflage 2021
ISBN: 978-0-520-34338-2
Verlag: University of California Press

Buch, Englisch, 282 Seiten, Cloth Over Boards, Format (B × H): 152 mm x 229 mm

At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.

Autoren/Hrsg.

Zhou, Chenshu

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Asiatische Geschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Politikwissenschaft Politische Ideologien Marxismus, Kommunismus
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

List of Illustrations
Acknowledgments

Introduction: "Projecting Cinema"
1. Space
2. Labor
3. Multimedia
4. Atmosphere
5. Discomfort
6. Screen
Postscript: Recognizing Cinema

Appendix: Interviewee Profiles
Character Glossary
Notes
Bibliography
Index

Über Autor(innen)

Chenshu Zhou is Assistant Professor of Cinema Studies at the University of Pennsylvania.