Buch, Englisch, 256 Seiten, HC gerader Rücken kaschiert, Format (B × H): 161 mm x 240 mm, Gewicht: 557 g
Theoretical Models and Intersections
Buch, Englisch, 256 Seiten, HC gerader Rücken kaschiert, Format (B × H): 161 mm x 240 mm, Gewicht: 557 g
Reihe: Musical Cultures of the Twentieth Century
ISBN: 978-0-367-13438-9
Verlag: Routledge
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
I.
The interactive and spatial life of music: towards a composite ethnomusicological approach for
the analysis of musical performance
by Giovanni Giuriati
On the sonorous rendering of musical texts: theoretical stances since the early nineteenth century
by Gianmario Borio
Empirical methods in the study of music performance: an interdisciplinary history
by Martin Clayton
Musical performance as a medium of value
by Timothy D. Taylor
‘Musical Personae’ revisited
by Philip Auslander
The performer’s experience: positional listening and positional analysis
by John Covach
Music’s techno-chronemics
by Martin Scherzinger
Investigating musical performance: an overview of recent perspectives
by Alessandro Cecchi, Marco Lutzu
II.
Who’s keeping the score?
by Janet Schmalfeldt
Judging Chopin: an evaluation of musical experience
by John Rink
The manufacture of extravagant gesture: labour and emotion on the operatic stage
by Mary Ann Smart
The physiognomy of the voice: vocal gestures in Italian experimental music (1960–70)
by Michela Garda
Sentimental gesture and the politics of ‘shape’ in the performances of Abd al-Halim Hafiz
by Martin Stokes
Marking the sam: tal, tempo and gesture in khyal performance
by Laura Leante
Lokapañca: analysing structure, performance and meanings of a temple song in Nepal
by Richard Widdess
Between music and noise: the discussion of portamento and its socio-aesthetic implications during
the long nineteenth century
by Camilla Bork
Towards a consideration of the contemporary musical work as ‘a work in progress’
by Pierre Michel