Music, Management, Marketing, and Law

Interviews Across the Music Business Value Chain
1. Auflage 2019
ISBN: 978-3-030-02142-9
Verlag: Springer International Publishing

Buch, Englisch, 246 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 553 g

Reihe: Music Business Research

This collection of interviews captures a period of historic change for the global music business along with a wealth of professional knowledge that extends from the late 1960s through to late 2012 when the interviews were conducted. They record the experiences and insights of people who helped to shape a global business that is quickly passing into history and transforming into something entirely new, often because of decisions the interviewees have been directly involved in making. The material includes the aesthetic, artistic, technical, commercial, legal, and strategic aspects of the music industry. What is said is timeless in its historical significance for the music business and in its relevance for researchers engaged in studies on the dynamics of change in the global commercial music landscape.

Zielgruppe

Research

Autoren/Hrsg.

Graham, Phil

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikindustrie
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Musikindustrie
• Wirtschaftswissenschaften Wirtschaftswissenschaften Wirtschaftsgeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Wirtschaftsgeschichte

Inhaltsverzeichnis

1. Introduction.- 2. Michael Smellie, Global Record Executive.- 3. Peter Colby, Production and Logistics.- 4. John Watson, Music Manager.- 5. Michael Taylor, A&R Manager.- 6. Stuart Rubin, Global Marketing Manager.- 7. Shane Simpson, Music Lawyer.- 8. Shaun James, Music TV.- 9. Toby Cresswell, Music Journalist.- 10. Harley Medcalf, Promoter.- 11. Kate Miller-Heidke and Keir Nuttall.- 12. Retrospective Conclusions and Predictions.

Über Autor(innen)

Phil Graham is Professor and Head of School, Communication and Creative Industries, at the University of The Sunshine Coast, Australia. Before coming to academia, he spent 25 years as a professional composer, producer, and performer. The author has published over 100 refereed publications including Hypercapitalism (Lang, 2006) and The Creel Century (Routledge, 2017). He is co-editor of Critical Discourse Studies and on the international editorial boards of numerous journals.