The Media Studies Toolkit

1. Auflage 2022
ISBN: 978-0-367-44115-9
Verlag: Routledge

Buch, Englisch, 286 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 571 g

In this critical primer, Michael Z. Newman introduces newcomers to the key concepts, issues, and vocabulary of media studies.

Across ten chapters, Newman examines topics from text and audience to citizenship and consumerism, drawing on a myriad of examples of media old and new. Film and TV rub shoulders with mobile games and social media, and popular music and video sharing platforms with journalism and search engines. While the book takes a critical, cultural approach, it covers topics that apply across many kinds of media scholarship, bridging the humanities and the social sciences and looking at media as a global phenomenon. It considers media in relation to society and its unequal structures of power, and relates media representations to their conditions of production in media industries and consumption in the everyday lives of audiences and users. Spanning the historical periods of mass media and online participatory culture, it also probes assumptions about media that were formulated in a previous era and looks at how to update our thinking to address an ever-changing digital mediascape.

With its clear and accessible style, this book is tailor-made for undergraduate students of media, communication, and cultural studies, as well as anyone who would like to better understand media.

Autoren/Hrsg.

Newman, Michael Z.

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie

Inhaltsverzeichnis

1. Introduction 2. Industry 3. Text 4. Audience 5. Representation 6. Ideology 7. Policy and Regulation 8. Citizenship 9. Consumerism 10. Technology 11. Global and Local

Über Autor(innen)

Michael Z. Newman is Professor in the Department of English at the University of Wisconsin-Milwaukee and in the programs in Film Studies and Media, Cinema, and Digital Studies. He is the author of Indie: An American Film Culture (2011), Video Revolutions: On the History of a Medium (2014), Atari Age: The Emergence of Video Games in America (2017), and co-author of Legitimating Television: Media Convergence and Cultural Status (2012).