E-Book, Englisch, 190 Seiten
Pahl / Steadman-Jones / Vasudevan Collaborative Research in Theory and Practice
1. Auflage 2022
ISBN: 978-1-5292-1511-3
Verlag: Bristol University Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
The Poetics of Letting Go
E-Book, Englisch, 190 Seiten
ISBN: 978-1-5292-1511-3
Verlag: Bristol University Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
This book invites the reader to think about collaborative research differently. Using the concepts of ‘letting go’ (the recognition that research is always in a state of becoming) and 'poetics’ (using an approach that might interrupt and remake the conventions of research), it envisions collaborative research as a space where relationships are forged with the use of arts-based and multimodal ways of seeing, inquiring and representing ideas.
The book's chapters are interwoven with ‘Interludes’ which provide alternative forms to think with and another vantage point from which to regard phenomena, pose a question and seek insights or openings for further inquiry, rather than answers. Altogether, the book celebrates collaboration in complex, exploratory, literary and artistic ways within university and community research.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Pädagogik Lehrerausbildung, Unterricht & Didaktik Allgemeine Didaktik Hochschuldidaktik
- Sozialwissenschaften Pädagogik Berufliche Bildung Wissenschaftliches Arbeiten, Studientechnik
- Interdisziplinäres Wissenschaften Wissenschaften: Forschung und Information Forschungsmethodik, Wissenschaftliche Ausstattung
- Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Wissenschaftliches Arbeiten, Studientechnik
Weitere Infos & Material
Prologue
1. Introduction
Interlude 1: Collaborative Questioning
2. Poetics
Interlude 2: Postcards
3. Worldizing
Interlude 3: Letting Go
4. Worthiness
Interlude 4: Two
5. Enchantment
Interlude 5: Demons
6. Embodiment
Interlude 6: 'Most People Don’t Believe Me'
7. Hypertext
Interlude 7: Failing
8. Unplanning
Interlude 8: Notes on the Work